The Terror of the French Revolution - 1793-1794

Drug Trafficking in America An Analysis - 2024 Words

Traffic - Analysis of the Film Introduction The 20th Century Fox film Traffic, written by Stephen Gaghan and directed by Steven Soderbergh, was clearly a brilliant piece of work and it received the highest recognition that films can achieve: it earned Oscars for Best Directing (Soderbergh), Best Supporting Actor (Benicio del Toro), Best Film Editing (Stephen Mirrione), and Best Adapted Screenplay (Gaghan). The film was also nominated as Best Picture but lost out to Gladiator (Rotten Tomatoes). Traffic certainly was a realistic film and its release in 2001 presented the public with a fairly un-Hollywood look into the trafficking culture, the users culture, and law enforcements sometimes clumsy attempt to put a stop to trafficking. Traffic also won 5 Golden Globe Awards and de Toro won the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role. The New York Film Critics Circle named Traffic as the Best Film and Soderbergh as Best Director; Soderbergh also won other awards for his efforts, including the Toronto Film Critics Association Best Director Award. (Rotten Tomatoes). Soderbergh used three different approaches in order to present a slightly different view of the three stories within the film. The Salient Theme from Traffic Americas war on drugs is reminiscent of the Russian princess who sat weeping profusely at the death of the hero in a performance at the opera, while, at the curb, her waiting carriage driver froze toShow MoreRelatedConflict Analysis : Mexico And Central America1687 Words   |  7 Pages In this paper, I will focus on Policy Issues through Conflict Analysis in Latin America. First, I will talk about the differences and critiques in the Merida Initiative: Mexico and Central America. Then, I will focus on â€Å"Drug War†: Lenses, Frames, and â€Å"Seeing† Solutions. 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Persepolis Changing Western Perceptions of Muslim Women Essay Example For Students

Persepolis: Changing Western Perceptions of Muslim Women Essay Marjane Satrapi’s graphic novel, Persepolis, makes important strides toward altering how Western audiences perceive Iranian women. Satrapi endeavors to display the intersection of the lives of some Westerners with her life as an Iranian, who spent some time in the West. Satrapi, dissatisfied with representations she saw of Iranian women in France, decided to challenge them. In her words, â€Å"From the time I came to France in 1994, I was always telling stories about life in Iran to my friends. We’d see pieces about Iran on television, but they didn’t represent my experience at all. I had to keep saying, ‘No, it’s not like that there.’ I’ve been justifying why it isn’t negative to be an Iranian for almost twenty years. How strange when it isn’t something I did or chose to be?† (Satrapi, â€Å"Why I Wrote Persepolis† 10). In acknowledging both Eastern and Western feminism, Satrapi’s novel humanizes the female Iranian perspective in a way that can easily digested by Western audiences. This novel acts as an autoethnographic text, a term coined by Mary Louise Pratt, in which Persepolis acts as â€Å"a text in which people undertake to describe themselves in ways that engage with representations others have made of them† (Pratt 35). This novel, which depicts her life so far, demonstrates a mastery of the spaces of representation. As one theorist has argued, â€Å"In discussing Persepolis in relation to the theme of women and space, we will draw upon a framework suggested by Pollock for reading the work of women artists†¦Pollock refers to three spatial registers: first, the locations represented by the work (and, in particular, the division between public and private space); second, the spatial order within the work itself (concerning, for example, angl. . and changed Western perceptions in doing so. Works Cited Gokar?ksel, Banu and Anna Secor. The Veil, Desire, and the Gaze: Turning the Inside Out. Signs, 40, 1 (Autumn 2014): 177-200. Miller, Ann. â€Å"Marjane Satrapi’s Persepolis: Eluding the Frames.† Johns Hopkins University Press: L’Espirit Createur, Vol. 51, No. 1, Spring 2011: 38-52. Nnaemeka, Obioma. â€Å"Nego?Feminism: Theorizing, Practicing, and Pruning Africa’s Way.† Signs, Vol. 29, No. 2, Winter 2004, 357-385. Online. Satrapi, Marjane. The Complete Perspolis. New York: Pantheon Books, 2004. Print Satrapi, Marjane. â€Å"Why I wrote Persepolis: a graphical novel memoir: writer Marjane Satrapi faced the challenges of life in post-revolutionary Iran. She used the graphic novel format to tell her unique story.† Marjane Satrapi. Writing!, Nov-Dec, 2003, Vol.. 26(3), p. 9(5) Cengage Learning Inc.